Friday, December 21, 2007

Classic Olde Tyme Typesetting


I found this wanted poster for John Wilkes Booth posted on Wikipedia today. Our predicessors had it much rougher than we.

Couple things I've noticed:
The many typefaces used.
The large spaces after period marks.
Paragraphs are justified (must have been a huge pain to do this by hand)
Inconsistent upper case and lower case usage
Inconsistent Indents.

With all of these issues with the poster it remains an effective piece of attention grabbing design. I really enjoy looking at old professional prints/typography such as this. I wonder, the difficulties and hardships typesetters of old had with setting up and producing a document like this where the errors I pointed out are accepted, did they actually have it tougher than us? We have more options, high standards, millions of colors, paper choices, printing choices, software, hardware, stupid clients and greater competition? Hm...

Tuesday, December 18, 2007

Customize Your Work Prison


If I had to be stuck in a cube all day at work I would have to hook it up like one of these. The sci-fi one may be the coolest of ones posted here but I would like to set up a mad scientist lab or something. It kinda makes me want to give up my panaramic view of the crappy parking lot, almost.

(Courtesy of Wired via Yahoo)

Friday, December 14, 2007

Vintage Poison

I like whiskey.

About 8 years ago I was out hanging with some buddies. It was more like hardcore binge drinking but, whatever. I was out, fresh after a tough break-up with a bitch girlfriend and we were doing some drinking. As with most times back then the boozing drifted into the wee hours of the night, consciousness was difficult, rational thinking was extinct and simple, animalistic actions were the rule. What I surmise as near 4 A.M. I got into a fight with my buddy (he happens to be about 6'4" 250 lb. monster) and decided my friends were all assholes and I was going home. So, I went home.

At this time I was living with mom and dad still. Somehow I made it home alive and not in cuffs. When I crept into the house, I walked to the kitchen to have myself a drink. Not sure if it was to be water or booze but again, whatever. Upon stumbling into the kitchen I noticed some really old looking bottles on the counter. I picked one up, peered at it through blood shot eyes and my jaw flopped open. The label read "Pre-war whiskey, not to be sold." The PA LCB sticker on the lid said something about prohibition and not for sale. My god, I thought, forbidden whiskey that is like 85 years old.

Odd stuff always made it's way up from my parents basement. The house was old and the guy who lived there before us was rich and had a bunch of bullshit down there. So I had my hands on some vintage, old american whiskey. Upon closer inspection I noticed there were only a few ounces in the bottle. My only chance to enjoy some vintage good stuff? Mine, mine, mine. I drank them. Big mistake. Greed tempted me to selfishly enjoy the last of the old stuff. I never thought to smell the liquid. I should have. My desire to keep all of the booty to myself overwhelmed my good sense. I wish it didn't. The booze was gone and, sadly, it wasn't booze. Poison. The first thought that screamed through my blurry mind was "my god I've killed myself." I drank something that I could not identify. It was some sort of evil chemical used for removing things or something. Survival instincts. I went and guzzled milk, I know that helps. The taste was noxious and consuming. The smell unmistakable. What to do now? Complete exhaustion and retarded drunkenness were boiling over, I needed to sleep. As with most thing back then I said, fuck it. If I die it will be in my sleep but I got to get to sleep. The birds where chirping. Up the steps, into bed, poisonous fumes wafting from my throat, the smell unmistakable, I hoped I wouldn't die.

Needless to say, I lived. The night forever tattooed into my memory, my senses won't let me forget. Since then I've told this story many, many times. During the first 50 or so times I could still taste and smell the chemical, the smell was unmistakable. I keep the bottle as both a cool antique and a piece of history, my history. The history of the night I drank vintage poison.

Thursday, December 13, 2007

Warning Label


I love warning labels with the small illustration of some poor stick figure getting mangled, killed, smashed, eaten, etc. The Michigan Lawsuit Abuse Watch picks one out of the thousands, each year, and designates it the Wackiest. I get a kick out of these things.

This year's is great, titled "DANGER, AVOID DEATH." Fantastic.

(origin: yahoo new 12/13/07)

Monday, December 10, 2007

Know what a duotone is? You better act like you know!


Duotones, soiund it out with me dooo-oh-ton-zzz. Think of Batman and Robin AKA the Dynamic Duo or duet and duotone is a color setting in Ps that keeps an image 2 colors. Duotones are cool and can have a great effect oon something you are designing. First you need to convert your image to greyscale, next under the same option as you find greyscale (image>mode) you find the option for duotone. I made this coolr 2 page flyer for a trip to Europe, I think it has more character and class than just doing a standard full color brochure. Keep in mind that a duotone will only work in PS and Indesign, the color settings do not cross over into Illustrator, so convert it to a CMYK file.

Here is a good tutorial to get your feet wet.

Friday, December 7, 2007

Sow and Tell

For show and tell this week I brought in a card I made for my parents, I think the carbon dating on it looks to be near 1985. I thought Jabba the Hutt on a thank you for dinner and cake at thanksgiving was appropriate. Nothing has changed.

Also, I brought in an original Rubik's Cube in its original packaging. I have one that is open and playable however I also have this one still in the package, not sure if it is worth anything, don't care either (unless it is some insane amount), I just like having it around. It is all apart of my "I like cool stuff" mentality.

(I'll post picks once I have access to a scanner, I've been sick)

Wednesday, December 5, 2007

Don't catch the office germs.

2 weeks ago I had a meeting with one of our product managers. She came to my office clutching damp, sickly tissues with her nose running, voice scratchy and gruff, eye watering. A few days later I was lucky enough to develop the same symptoms plus some added bonus afflictions. While this post doesn't really apply to graphic design in general, but since most of us work in an office and deal with any number of different clients, coworkers, civilians we all risk one of these people tossing us some awesome bacteria that cause a sweet 3 weeks of miserable sickness. All the green tea in the world won't make the difference you want unless you educate yourself and keep you shit clean.

Quark v Indesign

The battle rages on. A few years ago most designers would easily tell you that Quark is dying the good death and InDesign is the new standard. Knowing both applications I certainly prefer InDesign, hands down, over Quark. I like the Bridge option between all Adobe applications, the consistent tools and feel between the other Adobe's and I find Quark prone to font problems and crashing. Here is a comparison done by some IT nerds, it compares the two products based on time it takes to design the same project, while this comparison shows Quark to beat out InDesign, it leaves out the sweet streamline interaction InDesign has with it's Adobe brothers and sister.

Thursday, November 29, 2007

Old Ads?


These ads seem to be imported from the UK. Not sure if they actually ran, or if they are even real but once upon a time (not long ago) stuff like this was feasible. How times have changed and with that, advertising. Check them out.

Wednesday, November 21, 2007

Resume Advice?

Anyone mind taking a look and giving me some crit on my resume? Time to look again. (click on the document to make it larger)

Slang is Gnarly


For show and tell last week I gripped the McGraw-Hill Book of American Slang and Colloquialisms. Dis treasure chest of classic, modern American off the cuff expressions, unusual definitions of common words and great old fashioned "Merica" style cursing. If you don't have a book like this in you library, go gank one, not only will it help your informal writing but it is a bangin book to chill with.

Tuesday, November 20, 2007

Worst Typefaces Ever?

My Top10 Worst Typefaces:

10. Dom Bold
9. Hobo
8. Cottonwood
7. Cooper Black
6. Papyrus
5. Lucinda Handwriting
4. Brush
3. Times New Roman
2. Arial
1. Comic Sans

The top 10 is based solely on type that I never want to use, see used or read.

Thursday, November 15, 2007

Font Problem Font Solution


OK, some of you may know about my latest battles with my huge font library on both my G5 at work and my Pro Book at home. I enjoy having massive amounts of fonts and dingbats but that can lead to trouble. I have Extensis Suitcase on both machines but that software is for the birds, it just sucks. I have experienced everything from un-viewable/un-decipherable web pages and content because the fonts were so screwed up, fonts turning themselves on and off, fonts disappearing, my font cache getting clogged up like the subway during rush-hour, fonts setting fires, fonts playing hookie from school, smoking cigarretes in the boys room and even fonts going on homicidal rampages.

I've had enough.

Well, look out misbehaving fonts. I think I may have found a great solution to all of your bad behavior–for FREE. It is called FontExplorer X and can be downloaded from the Linotype website. We all know who Linotype is right? They invented the machine that eliminated typesetting by hand. (The founder Ottmar Mergenthaler lived in Baltimore). Anyway, my point is they can be trusted to whip your belligerent and mischievous fonts into order. It is easy to install, it is easy to turn off any other font manager during the install, it is very easy to add new typefaces to your list, very easy to activate or deactivate fonts, works seamlessly with Adobe and Quark, it is good looking and there is a version for both Mac and PC and so far they have worked amazingly. No font problems at all, now they are all the sweetest little angels, thanks FEX!

Monday, November 12, 2007

command - option - shift + K


Speaking of keyboard shortcuts, open a Quark document, select any object and use the shortcut in the title. Possibly the coolest thing about Quark, even more possibly the only cool thing about Quark. Be sure that you have the file saved first and have the sound up.

The Boston Turkey Story (What inspired our cutout project)


Wild Turkeys Take Boston, Surrounding Suburbs a Month Before Thanksgiving

(Found on foxnews.com)

Wild turkeys are running amok in the Boston area, startling, amusing and even chasing residents who have had close encounters with them on the street.

Previously alien to these parts, after having been wiped out long ago, the gobbling fowl are suddenly back and bigger than ever, descending with gusto upon suburbia, according to The Boston Globe.

The brazen little creatures have been so rampant that local police now get up to a dozen calls about them a day.

One woman jumped — and gasped — when she came face-to-face with a turkey right after she parked her car at a meter in Brookline, the Globe reported. But the showdown didn't stop there. The turkey ran after the woman after they locked eyes, gobbling and pecking at her bottom during the chase.

Click here to read the entire story in The Boston Globe.

Interesting Advice from Istockphoto.com


Gradients + Outlines + Highlights... Oh, My (Spotblind)


(Excerpt from an article on Istockphoto about Vector Dos and Don'ts.)

It’s easy to get carried away in the style department. You can add strokes, textures, gradients, patterns, you name it: why limit yourself to just one effect?! Well, it all comes down to consistency. Consistency is critical and the more you clutter your image with unnecessary elements, the more distracting and confused the final results will be. This is a key consideration to remember when illustrating for stock: The designer already has a message they need to convey… Your illustration will be used to support this message. Distracting and competing effects within a file can seriously detract from the usability of your illustration.

When planning your image you should start from the ground up and decide what the final look you want is: Light and delicate? Bold and strong? Shiny or matte? Comical, cute, whimsical, dramatic, serious? Once you’ve nailed the look and feel you’d like to aim for, every element you add should support the look. That’s not to say you can’t change your mind once you’ve started with a particular style. As long as you know what you’d like to convey to the viewer, chances are the end result will have a clear message and consistent look and feel.

Flowers have always been a popular subject to upload. Example 1 is pretty decent... But it could be a heck of a lot better, and with the amount of flower submissions this’d need some polish to get approved. The spirals are ragged and rushed, which doesn’t fit in with the soft gradients on the petals. The highlights are very sharp (perhaps this is a plastic flower?), and for some reason only 2 of the leaves have veins… Not very pretty veins at that, especially where they’ve cut right over the stem of the flower (on the lower right). The finished image is confused, cluttered, and not likely to attract any bees.

Example 2, on the other hand, is the kind of blossom you’d want to give that special someone. The distracting strokes from the first flower have been replaced with strong shapes that are subtly tinted to give a hint of depth and volume. The harsh gradients have been toned down and the highlights softened. We’ve removed the mismatched leaves and replaced them with 2 strong, simple leaves that are drawn in the same style. On the blossom itself some extra highlight/shadow shapes have been added to each petal, then carefully colored to look 3-dimensional… You can almost smell it.

Wednesday, October 31, 2007

Adobe Bridge & Version Cue

I have known about these guys for a while now, but I just started messing with them this week. I can honestly say "where have you been all my life?" These helpers help manage your files/images/logos/copy/etc. You will not need to have a million instances of anything on your hard drive because Bridge and Cue keep track of them. You can save hard drive space, keep track of projects and stuff. You can drag and drop the stuff in Bridge right into your project, no more messing around and save tons of time.If you haven't learned these awesome additions in the CS2+ packages try them out, they make life much easier.

Old Designer & Software Blues (vent)

My current supervisor has been designing for 1 million years. I think he helped invent typesetting. Anyway, he uses Quark 6.5 and Adobe Illustrator & Photoshop CS. No quite cutting edge. We both signed up for a seminar on InDesign CS3, I use InDesign CS2 all the time and I feel I am more than just an intermediate user, I also have been using Adobe CS2 for a couple years. My supe (AKA design director) doesn't know InDesign at all. So we are 2 days before the seminar and he says he can't go, he has to be at the office. This was his chance to get some insight into InDesign, learn what it is all about and see how much better it is than haggard old quirky Quark. I personally think he is afraid to learn it, he is content knowing what he knows and that's that. I also found out he wasn't needed to be at the office for anything other than normal work, he was B.S.ing. He sees his own retirement in 2 years and couldn't care less about being cutting edge. This is the same supe who refuses to let me do a photo shoot (even though I have done them many times before), keeps all of the new design work for himself and gives me the crap that he either can't do or doesn't want to and prefers to work as individuals and not a team. He offers the clients 1 design and says that is the final, they seldom like it and find his stuff "dated." So, I am stuck working on CS for most things, stuck working in Quark for updating or making revisions to his crap and stuck begging for them to update to CS3 and stuck doing entry level work even though I am way above that. It is so frustrating. It is especially tough when all the product managers come to me and ask how they can get me to design their work, they do not like what they are getting compared to what I can do. It feels good to hear that but it sucks because I can't do anything about it. I want to do real work on up-to-date software, it is that simple.

Friday, October 26, 2007

Keyboard Short Cuts - The KEYS to Success

Yeah, I know that title is super lame but sometimes lame works. What isn't lame are keyboard short cuts. Are you familiar with most of the important shortcuts at your figure tips? These quick key strokes can become second nature and speed up your design time exponentially, that way you can get done you W&I homework much quicker and get back to drinking beer 4 nights a week. Seriously, practice learning these quick cuts, they do save time and they will make your designing more enjoyable. I try to learn new ones all the time, you'll be amazed, not to mention you look a helluva lot cooler slapping out those short cuts than lumbering around with the stupid mouse.

Here are some links for some shortcuts (for the MAC of course)- get to know them.

MAC
InDesign CS2
Illustrator CS2
PhotoShop CS2

Tuesday, October 23, 2007

2600 Days

2600 plus days I have been a professional designer. I went to school for animation, got a degree, went back for multimedia, got a degree and during the ride I got a job. My first job was for a dotcom. Life was good, my paycheck was fat, my hours were amazing, no dress code, ultra laid-back environment and most importantly I was young, I was trusted and my work was very fun. I was designing web graphics, pages and flash animation for an online sports registration community. Within a few months the roof fell in on the dotcom world and everyone either quit or was fired. I made a deal with the owner that I would stay onboard (they were trying to salvage the business) if they paid my final semester's tuition. The deal was made, I signed a contract to not leave until at least my classes were over and they paid my schooling. Life was not as sweet but things were still good.

14 days before I completed my BA I got laid off. I didn’t see that coming but I should have, I spent most of my 15-20 hour work weeks drinking coffee and downloading porn. The company hit rock bottom, only 1 employee remained and he was an asshole. No big deal, I thought, I had no fear, I finished my multimedia program at the top of my class, I had real world experience and I was hungry to work, look out world.

364 day passed since my last job with the dotcom, I just finished shaking hands with my new boss, accepting a job for $12,000.00 USD less than what I was paid a year ago. I had to dress business casual, my manager was a douche bag who knew nothing about anything and I somehow became a print designer (multimedia job were nowhere to be found). I knew nothing about designing for print.

912 days float by, I am now the art director, my douche bag manager was now just a douche bag co-worker and I successfully made the transition to print designer. Life was OK, however, I still was making less than at the dotcom and I had to deal with a ton of inter-office bullshit and shithead co-workers. Upon my last review ever at this company I decided to seriously look for the new job; they approved handing me more responsibility but no title change or any more money, sounds like the perfect deal right? Eff them.

240 days after the review and several mostly deadend interviews I have a new job. The graphic designer positions in Philly were impossible to land or very undesirable. For example, 5 years experience- 32-35k, no thanks, part-time to full-time 3 years experience 29k, go fuck yourself. So, I did the unthinkable, I ventured to South Jersey for a job, not fun. I am now on an in-house design team, working as a flash animator and web designer. I am excited, back to my roots finally. They had an art director, photographer, the creative director, magazine designer, man they had it all.

4 days pass and I get fired. Awesome. It appears they are very sorry because they misrepresented the job, the really wanted a programmer. WTF?

90 days crawl by in the freelance world. I decide I need to make more money and stay busier. I apply for a job at the Apple Store in Christiana, DE. I get the job, start work and officially I am depressed.

2.5 days into my 40 hours of the most boring training in the world at Apple, I get a call from a company I recently interviewed with. They offered me the job and I quite Apple on the spot. That job was bad.

3 days later I find myself shaking hands with the owner of the company, I just accepted the position. 7 days earlier she had told me my work was weak, I went home afterward, more depressed and opened a bottle of scotch. I am now working for a small marketing/ advertising firm in Newark, DE. The job is for about $5,000.00 to $7,000.00 USD less than my last 2 jobs but it looks like good experience and I need a job. Upon starting I get the huge vote of confidence with the owner telling me it will be a freelance gig for 45 days and they might offer me the full-time gig if I work out. To get the job in the first place I had to interview 2 separate times, show my portfolio and do a skills test, but I guess that wasn't enough. When I said the pay was low and asked for more the owner called me directly and told me that there are extra benefits for working there, such as free parking and a lower cost of living; again, WTF? Free parking in an industrial park in the middle of nowhere, perfect. Lower cost of living? How about no it isn’t? How did I ever get so lucky to have perks like these?

5 days into the new job I already know it sucks. The work isn’t bad but the office life is sad. My desk faces a corner; I work on an old PC that is not connected to any network because there is no network. The software works fine, the IT guy, AKA the finance guy, AKA the owner’s husband, AKA the real old guy (who smells like a real old guy) makes us shut down our computers, printers and lights every night because he thinks they are going to spontaneously combust and burn the building down. Again, my work is fun and I am learning a good deal, not to mention working with fairly high-profile clients but it still sucks.

20 days into this new job I get a callback from a company I interviewed with several months before. They wanted me to come in again. I must admit I was very excited, depression lifting. This job looked promising. I know the money was right, the place looked professional and I would be working with a guy who has been a designer for decades (a learning resource). I went in for a second round of interviews. I made up some of the greatest lies of all time to get out of work at the agency to trek the 43 miles south. Three more visits and I was offered the job.

40 Days after starting with the agency I went into the creative directors office to talk about me. I asked him if they were going to offer me the job and if so, more money? He said he was almost positive I would get the job but no more money, I let him know I was offered another job for $10,000.00 USD more than their offer and I was going to take it. He tried to convince me to stay with some weak line about how he felt they were one of the top agencies in the area, blah, blah, blah, if that were the case than pay like the top agency.

4 days into the year 2007 I am starting the new job. I have moved twice in a year, worked in 4 states, resigned twice, was fired once and almost quite the biz several times. Now I am starting the next chapter: new town, new job, new friends, new everything.

288 days into 2007, I now live 100 miles from home, I live in a cool area, I make decent money, I have a dog, I’m in school again and I am happy. My job sucks. I thought I wanted to work in a very professional/corporate environment, somewhere I am respected and trusted and a place I would be challenged and successful. Yes, I want to be challenged and I desire success and professionalism but the corporate, stuffy, tons of red tape bullcrap is not for me, not to mention designing packaging, labels and other collateral for drugs is bor-ing. The design resource guy? A recluse who is just riding it out until retirement. I want a job where creativity, imagination, hard work and fun are the standards. Do these jobs exist? I have heard nothing but pessimistic talk about design jobs in the Mid-Atlantic. Cool design boutiques that we all want to work for invite you in, exploit your skills and creativity, overwork you, under pay and spit you out like a piece of knarled gristle. Will all my hard work be worth it? Are there places to be creative, have fun and be successful in this area? Will my sweet memory of the dotcom days damn my expectations forever?

365 days from now, will it be all good? Will I be thinking about traveling 100 more miles from home, taking the job I think would be good experience or I think will be a good fit or will I find these strides I have taken over the years were all for not.

Today, can someone please give me hope.

The Cubes


Hey all you cubical jockeys, check out this site. I thought this was appropriate considering our uncoming video/animation assigment. Enjoy (Yes, those are zombies.)

Cool Typography


Once again I reached into my extensive library of unusual books and movies to satisfy this weeks "show and tell" assignment. I picked the B & W Photography book because I think the right typeface can be all the typography magic you need to make a book cover look interesting and elegant. The kerning and leading on this title are especially interesting– check out how good the word photo looks in this. On the other hand my other choice was completely different. The film "Memento" is about a man who loses his short term memory and the packaging is made to look like his medical file. The designers have done a great job of combining interesting typography, such as handwriting, and the cool package design. They have successfully made the DVD box look like a medical file.

Thursday, October 18, 2007

NAPP


I am a member of NAPP (National Association of Photoshop Users). I recommend you join if you are a designer. It is an amazing resource for all things Photoshop. With the student discount I paid 80 bucks and I got a free training DVD and book a subscription to Photoshop Users magazine, and the greatest online resource ever- tutorials, 24-7 tech support, discounts on all sorts of stuff, job search, free junk- awesome. Take a look at their web site and use your student discount to join, be sure to save your receipt for tax time.

Cool Words (some definitions)

Carrion- dead and putrefying flesh; also: flesh unfit for food
Ossified- to make rigidly conventional and opposed to change
Truculent- cruel, savage
Lurid- gruesome
Flummoxed- confuse
Nonplussed- perplex
Discombobulate- confuse
Fuck
Traipse- walk or roam
Conjunction- union, juxtaposition
Sanctify- purify
Booze
Tutelage- guidance
Pus
Popsicle
Jaundice
Jive
Rampage
Gargle
Jip
Monster
Prognosticate- predict
Convivial- feasting and drinking
Aplomb- self assured
Malarkey
Balderdash
Bullshit
Hippopotamus

Super cool Old Monster Movie Posters




Who remembers "Creature Double Feature" on Saturday afternoons? How about "USA Up All Night?" They showcased some of the coolest horror movies ever. I have a feign-like addiction to a good horror flick, old classics such as White Zombie or The Cabinet of Dr. Caligari are just as cool as House of 1000 Corpses or the Saw series. A good horror movie poster makes for great inspiration and reference in my Classification project. I was a bit ambitious on this project but I have been working hard, hopefully I can pull it all together in the end. I'll post my images after class this week, hopefully you guys will think they are as cool as I do. Bye the way, anyone ever go to Blobfest?

Fuck'n eh, I knew cursing was the shit.

I found this on Yahoo news.

Swearing at work 'boosts team spirit, morale'

LONDON (AFP) - Regular swearing at work can help boost team spirit among staff, allowing them to express better their feelings as well as develop social relationships, according to a study by researchers.

Yehuda Baruch, a professor of management at the University of East Anglia, and graduate Stuart Jenkins studied the use of profanity in the workplace and assessed its implications for managers.

They assessed that swearing would become more common as traditional taboos are broken down, but the key appeared to be knowing when such language was appropriate and when to turn to blind eye.

The pair said swearing in front of senior staff or customers should be seriously discouraged or banned, but in other circumstances it helped foster solidarity among employees and express frustration, stress or other feelings.

"Employees use swearing on a continuous basis, but not necessarily in a negative, abusive manner," said Baruch, who works in the university's business school in Norwich.

Banning swear words and reprimanding staff might represent strong leadership, but could remove key links between staff and impact on morale and motivation, he said.

"We hope that this study will serve not only to acknowledge the part that swearing plays in our work and our lives, but also to indicate that leaders sometimes need to 'think differently' and be open to intriguing ideas.

"Managers need to understand how their staff feel about swearing. The challenge is to master the 'art' of knowing when to turn a blind eye to communication that does not meet their own standards."

The study, "Swearing at work and permissive leadership culture: when anti-social becomes social and incivility is acceptable", is published in the latest issue of the Leadership and Organisational Development Journal.

Sunday, October 14, 2007

Robots and Donuts



Tin robots are sweet. Eric Joyner is an artist known for painting and illustrating amazing pieces that incorporate old school tin robots and donuts. Check out his work here, I am putting one of these on my Christmas list.

Tutoring

When you have that awesome idea for a design but you do not know how to execute it with your software you need help. Why not get it? U of B student services has a tutoring program and your friend Bob G is on the staff. I am available for 1 on 1 or small group tutoring sessions at the school and in the evenings. It is free for students, check it out on the web site.

Friday, October 5, 2007

How the Hell did they do that?


Ever wonder how some crafty designer created some awesome text effect or made an insanely good background textures? How about using style sheets in InDesign or in HTML? Wait style sheets for print and virtual applications? What the hell? Or you aren't very skilled in Photoshop and you want to be, what is a person to do?

Hey there are free ways out there to learn this stuff; if you want to create a cool paper-like texture in photoshop or illustrate a real looking light bulb in Illustrator you can find it out there on the Web. There are like a million tutorial sites out there just waiting for you to take advantage of their free stuff. Tutorials are great, you can learn how to do almost anything, for free, and add more know-how to your cache of design skills.

I check these sites out still, I don't go to any specific ones but when I have some free time I hit up Google and try a couple and by mistake I learn something new.

Here are a few I looked at today, try one out and learn something new! (most are fun)

http://tutorialblog.org/
http://desktoppub.about.com/od/indesigntutorials/Adobe_InDesign_Tutorials.htm
http://www.ndesign-studio.com/resources/tutorials/
http://www.photoshoproadmap.com/Photoshop-tutorials

Tuesday, October 2, 2007

War & Killer Robots



I really enjoy this class. Yes, there is a shit load of reading, you can potentially spend a million hours a week on each assignment and class is almost half the day on the weekend. But, I like it. I like that we are learning very important lessons about writing (the weaker of my 2 skills) and we have to be savvy enough in both regards to be successful. I am definitely not used to the whole writing, reading, editing and reediting the copy, plus (I am used to) designing, proofing, editing and so on . Combining both skills together has been very enjoyable but my favorite element is our creative freedom. I find the creative freedom awesome, it has been a while since I have been this enthused about graphic design and I like it. Don't get me wrong, I love being a designer, even if I am designing packaging and collateral for drugs, it is what I am meant to do. What can I do when I have total creative control? I do things like combine ideas from the past and future: war propaganda and killer robots. When in the world can you do that? Seriously what an opportunity to make kick-ass, fun crap for yourself and your portfolio. I hope everyone else in class sees this opportunity to be as creative and fun as possible and I certainly recommend taking advantage of it. War Propaganda Campaign Against Killer Robots– YES!

Classic Propoganda


I find that some of the best call to action graphic design work was created during war time, especially in the early 20th century.. I found this sample of some of the best CTA posters from the US perspective. Samples from the Axis powers are just as compelling and pretty cool looking, from an objective standpoint of course. Do a google search and check out some other classic "war propaganda" from the the last century, it truly is fascinating.

Tuesday, September 25, 2007

Show and Tell: Description

This week I brought in a book of cartoons done by Sam Gross, of The New Yorker Magazine fame. I have a decent size collection of comic/ cartoon type books; I have always had an affinity for toons. My favorite artist is Gary Larson of The Far Side, I have all of his galleries and he has greatly inspired my own drawing. I brought in Gross’ book titled: An Elephant is Soft and Mushy. It is a gallery of work published by Avon Books in 1982. Thinking about what to bring in for the assignment I found myself looking through my bookshelves. I knew I would find something cool there. My copy was pressed between a book on how to design Celtic Knot work and a book on pottery. When I read the binding I pulled it out and read the title. I quickly perused the pages and thought it would be perfect to bring to class, not just for the assignment but because it’s a really cool book.

Elephants aren’t soft and mushy. Everyone knows an elephant isn’t soft, I have never touched one but when you look at it you can get a good idea that the largest land mammal does not feel like hot mashed potatoes. An elephant is hard, an elephant is rough, an elephant is thick, an elephant is strong and an elephant is wrinkly. Could an elephant be soft and mushy?

While looking through the book, which is very funny, you will see the comic that relates to the title. It is a drawing of an elephant with several men feeling and grabbing different parts of the beast. The men are blind, this is evident because they are all wearing dark glasses, and each one has a word bubble above their heads. One guy is clutching its tail; he says, “An elephant is like rope” another is holding the elephants leg saying, “an elephant is like a tree trunk.” 5 blind guys, five separate body parts being felt and five different descriptions of what they perceive as an elephant. However, off to the side one of the guys is feeling a pile of the elephant’s poop and he says, “An elephant is soft and mushy.” Brilliant.

In a cartoon as simple as this, one page, no color, simple drawings, Gross makes an excellent point. Description has no specific answer; it is all about perception. This comic/title makes you think. Vision has an enormous impact on how we perceive things, obviously but what if you were able to see things differently? An elephant is not just a beautiful yet imposing creature, it is like a tree truck, it is like rope and it is his poop.

Another element that I found cool was the sunglasses on the characters. How does the reader know they are blind? Nothing says they are blind, it is not written or stated or anything, the dark glasses imply something to the reader and it is up to you to decide these are blind people. The subtly and cleverness of this comic are great examples of description for creative people. The message is clear, although it expects the reader to think, simple and fun to read.

Monday, September 24, 2007

Inspired by Beer

I look at the simplicity of the logo and I like it. The classic design
used in the early 20th century with a few colors, very straight forward
design and the addition of an icon, Mr. Boh. The design has not changed even
though the company has been bought and sold a few times. I find that
most inspiring, the idea that sometimes not changing an image works better
for a brand than changing your image every time cool is redefined. Mr. Boh
has always had the handle bar mustache; the weird one eye and he will
always think "Oh what a beer." The bottles will have the mysterious
pictographs under the caps and the drinker will forever be reminded that the beer
is "from the land of pleasant living‚" even though the beer is brewed
in North Carolina. Classic, unspoiled design, cooperation between easy brand
recognition and a likable spokes person in cartoon form. It is unusual
to find a brand with this sort of cult following, unchanged image and
really no media advertising except for word of mouth, tin signs in bars and a
really cheap price.

Colors.

Did you watch the Philadelphia Eagles football game on Sunday? While their performance on the gridiron was rather spectacular I was less than impressed with the throwback uniforms they sported during the game. I am an Eagles fan, have always been and I have seen those jerseys before but that only softened the horror of seeing them in action on the field. Was there actually a time when these uniforms looked nice? They certainly didn’t always invoke thoughts of vomiting and teams and fans took them seriously. I guess it is safe to assume that baby blue and gold at one time didn’t symbolize wimpy and sissy things. Real men wore powder blue. I have a hard time visualizing hard-bitten 1930s football players, wearing leather facemask less helmets, knocking the crap out of one another while sporting those colors. As hard as it is for me to imagine this it was certainly real. The Eagles did wear baby blue uniforms at one time and that made me think. As times change and trends come and go colors and color schemes evolve as well. I can think back to the early 80s when my parents had our house decorated with fallout inspired colors and designs that evolved from hippies and disco. Today those colors definitely evoke feelings in a person but those feelings are very different that the original intentions and hip-ness. When my parents decorated the house that way I’m sure their friends were impressed and they thought it looked great, today if you did the same thing people would think you might have been knocked on the head. How about pink? How and when did that become cool for guys to wear? How do these things happen? What powers in this world dictate to the public that pink is now cool or baby blue was once cool now it is lame. Are the fashion people responsible or is it the public who motivates them to bring a color in or out. Is it a reflection of the mood the people have? They say people living in the Northeast tend to wear dark colors while those in the Sun Belt like light colors. Is it the sun? Weather? Celebrities? I have no idea.

Wednesday, September 19, 2007

Gradients = Good?

When are gradients appropriate in graphic design? I sat never, sort of. One of the biggest hurdles in design is being able to avoid the easy way out or a simpler yet not as effective solution. Around my office non-designers will occasionally work on a project, in the hopes of saving time for others. The end result is some hideous design utilizing all of the major designer taboos. Weird typefaces, saturated backgrounds, random font sizes and gradients are splattered all over the piece. When this work makes its way to my desk I usually tell them to try to keep the design simple and clear and never use gradients: “they are an easy way out of complex design situations.” Good advice? I must admit that I am being a bit hypocritical when I say this, maybe more than a bit. I use gradients in my work and the regularity of occurrences is not important even though it is not often. I have reason to make such statement, I’m not just being jerkish, I think to be able to use gradients in your design you need to first master how not to use them. It is the idea of having a complete competence in the fundamentals and the skill level of a pro before you develop your own styles, then you may use gradients if you dare. Using gradients early on, in my opinion, limit your development and are usually used very poorly when wielded by an unskilled hand. Do gradients look cool in logos? Would anyone use them in a newspaper? Application matters most when using a gradient and I think most of the time there is a better solution. Another point I want to make about my anti-affinity of the gradients is that I am really impressed by designs that are clean, simple yet creative and eye catching, a gradient can increase the busyness and decrease the clarity of a design.

Friday, September 14, 2007

$100K Eyes

I’m not sure how many of you out there have noticed this same thing but my eyes are ruined. It is a slow process in the very beginning but once it is set in motion there is no regaining your former innocence. It typically takes a few years to develop; all the while you have no idea what transformations you are going through. As the years go by the metamorphosis becomes worse. Sometimes it will drive you mad but certainly it never goes away and has potential for ridicule. What the hell and I talking about? Not yet, thank you. Perhaps you would like some scenarios that led to my self-diagnosis to give you a hint? OK.

1.) I am driving down I95 from Philadelphia to Baltimore. It is approximately 100 miles on the highway to get home. Along those 100 miles there are countless things to stare at, gaze in awe and just plain set your mind into a numb, mindless, day dreaming mode. How many signs, notices, bumper stickers and billboards do you think you inadvertently read along that trip? I don’t know but it is a lot. All those letters staring at you, someone just like us doing their best to leave an impression but, what do you see first when glaring at one of these huge, static advertisements?

2.) Ahh, nothing like the relaxation of the summer. Besides the beaches, barbeques and cold beer what complements the best season of the year like a good book. So each spring I find myself in the usual haunt of the local mega bookstore. I have some ideas in mind of what I would like to delve into this year. It is the usual requirement- an easy read. Summertime distractions are many so a simple book is necessary. So, I am back at the bookstore searching the lengthy isles, but it is not the same as it used to be. The store is basically unchanged, shelves of text organized by some elaborate yet top-secret manner. My searching is through forest of titles that will help me make a buying decision but that is the last thing I notice.

Sound familiar? Well, a short one to drive it home, just for good measure.

3.) I am reading any magazine on any topic in the entire world yet I am not just interested in the articles, comics or pictures. Whether I like it or not I am doomed to throw my attention on something else.

All right, I drive down roads and look at billboards, I go to bookstores and stare at book covers and I browse magazines and pay as much attention to the non-articles as I do the articles. These are the symptoms; my eyes have been spoiled since final diagnosis. I suffer acute graphic designer’s eye or Hundred Kay Eye. Yup, it is horrible, chronic and progressive.

When I see these thing: billboards, books, magazines, newspaper, brochures, logos, I do not see catch phrases, bullet points, titles, etc. No, I see Helvetica 23 Ultra Light Extended Oblique, or ITC Avant Garde Gothic MM Oblique 455 RG 450 CN or, god forbid, Comic Sans. I see spot colors, I see stock photos used and reused, 4 color prints, Art Deco, Art Nuevo, Pantone colors, plotted vinyl, illustrations Photoshop effects and so on and on. Gone are the days where the impact of the dust jacket from a Chuck Palahniuk novel would present some insight into what strange story lay between the covers, now it is a body on the slab waiting for me to cut it open and dissect it. The type face in the title, sans serif and very modern, the author’s name looks to be Garamond, that background is some sort of abstract work created in Photoshop, inspired by some 1970s style pop art, etc. Yes my friends this is what life has become for me, I can’t just look around out there, I have to study stuff, figure out what the other guy was thinking, try to remember it and learn more and more because that is how this disease work,

Hundred Kay Eye is common amount people such as us, creative types that want to be or already are creative professionals. It is very contagious; most of you already have the early symptoms, I can tell, if nothing has surfaced trust me it will. Enjoy looking at nothing the same ever again!

Wednesday, September 12, 2007

2012- Already a bad image.


I want to talk about the logo for the London 2012 Olympics (http://www.london2012.com/). As a designer writing on a blog that other creative types will be reading I really don’t think I have to go into detail about how horrible this so called logo really is. The horrid design was released by Wolff Ollins, a NY and London based branding agency, in July of 2007. According to www.wolffolins.com they are “the world's most influential brand business. It helps its clients seize the opportunities presented by a changing world, by making them unique in their markets, and uniquely valuable to customers and shareholders.” I must agree with at least one of the claims they make here on their website, unique in their market. While traditionally the location specific Olympic logo is influenced by some general geographic or regional imagery, not the case here. For what equals almost $812,000.00 USD the London Olympic Committee has made a wondrous blunder. The logo does not relate to anything British or anything in athletics period. It more so resembles amateurish graffiti scribed on some wall back in 1988. Somehow someone along the way people with power from the agency to the committee felt this was “cutting edge” and an appropriate representation of London in the Olympic world. I read online this past summer that the animated Flash version, meant for the Web, was pulled because it potentially would cause epileptic fits! (http://www.360east.com/?p=763) I want to design something like that, hell, how cool would that be? He guys, check out my website and BAM they are all on the floor fishing out. Besides causing your friends brain problems where else would something that flashy and sparkly be appropriate? To me this is a classic example of those who don’t know a damn thing about design, designing good work and basically what looks good making the big decision, anyone with agency experience can relate first hand to this painful reality. I can see some highly paid stiff sitting in his leather chair, feeling totally brilliant, saying crap like: “this is the route we need to take, the youngsters will identify with this. It is totally hip...” I think it fails on all levels, the colors are odd, the design stinks and it is completely unclear what it represents. When I first saw the logo this past summer, I thought it was a map of England or London broken into pieces but I know for a fact that England is not shaped like that (I know what a map is, I’m not from South Carolina). My second thought was it looked like Pangaea, the map of the world like 100 billion years ago. Nope, it wasn’t until I searched further on the net about it that I found out that the random shapes actually formed out into the number 2-0-1-2. Oh, yeah, I guess it does. So does anyone have any other glowing remarks to make about this design? What were some of your original interpretations as to what it was?

Tuesday, September 11, 2007

Show and Tell Made Me Think

This Show and Tell assignment is very interesting to me. Bring in something that inspires you. Hmm, well, that got me thinking about myself as a designer. What things in my life influence my work as an artist and designer? Immediately I think of the work I have recently done at my job and how I overcome complete BS while solving irritating design issues. My place of business is a great company to work for but, as is commonplace in my experience as a graphic designer, there are great flaws with my position. First of all I am the second member of the graphic design team, which falls under the marketing department. To make a long story short I am the new guy, the other designer has been here for 9 years and has been designing for like 400. The marketing director is an IT professional by trade, knows how to manage people but knows nothing about marketing or creative services, even though he wishes he did. The summary: I get the work that the other designer doesn’t want, nothing new except the monthly specials which consist of the same copy sans the specific ad and custom graphics for a direct mail postcard, a brochure and a PDF for email blast and a grayscale version for faxing.

So this month I am designing the October Equine Special, the company I work for manufactures, packages and distributes nutritional supplement products for humans and animals, this was the horse special. So the copy is boring, I don’t write it and we are only showcasing 1 product but 3 versions. What is the incentive to buy our stuff next month? Wow, it is a fantastic gift card to Lands’ End for 50 bucks, oh joy, spend two to four hundred dollars on product and you get to buy a pair of wool socks and a mock turtleneck for free. So, how do I get the distributors or vets to buy into this sweet special, not to mention even read the piece? I have to make it interesting; eye catching and it must stand out from all the rest of the junk mail the businesses receive. Well, I already did the consumer October special, with that one I did my usual Illustrator drawings of a background that reflects the time of the year, colors, themes, consistency; fall is fall. I wanted to do a Halloween theme but they are to conservative and weird Christian for that. My challenge to make a design creative enough to make people read and conservative enough to please the “know nothings” up stairs.

Let me describe the situation a little more deeply. The equine October special was not going to take place, now it is. The deadline on the job request sheet gave me 2 weeks until drop-dead date. That gives me some time, especially since the copy has already been through legal. Not so fast guy. The pressures from above have shifted; it needs to be in proof form ASAP, what else is new? Inspiration, imagination, magic, something needs to happen. I go online and do a search for some horse themed dingbats and clipart, a good way to start, I might hatch an idea while browsing through this stuff, mostly junk but guess what: things that give me ideas! I found a decent free horse themed dingbat aptly named “Yee-haw” and I downloaded it, it may come in handy. OK, I have exhausted this means of brainstorming, and what do I do next. Simple. I hit the “images” tab on Google with “leaves” in the search bar, my other theme. There it is, my perfect inspiration for a fantastic piece. It is a logo for a condominium development somewhere in the United States. Good typography, interesting color scheme, classy font selection, cool, I have ideas brewing. Someplace to start, sometimes the hardest part of my job, can I actually hatch every cool idea directly through my own brainpower without the influence of the rest of the world? Never. In this circumstance a great idea is born out of randomly searching the Internet and viewing any number of things that that were related to my original idea for the piece’s theme, fall and horses. So I changed the color scheme, I created the heading to resemble the logo, changing and subsequently making it better and my own. Once I laid out the heading I proceeded to fill in the remainder of the content with the horse theme, although it is inspired by some Old West style graphic design that I try to incorporate whenever possible. This time around it was a logo from a condo development, I have gained inspiration for pieces by looking at architecture, album covers, beer labels, store fronts, almost everything has an idea for you to incorporate into your work but it is up to us to find it and develop that idea into solutions. So that is it, I am inspired to create any number of thing by just keeping my eyes open, you never know what will strike that cord and set you off in a creative whirlwind.