Friday, December 21, 2007

Classic Olde Tyme Typesetting


I found this wanted poster for John Wilkes Booth posted on Wikipedia today. Our predicessors had it much rougher than we.

Couple things I've noticed:
The many typefaces used.
The large spaces after period marks.
Paragraphs are justified (must have been a huge pain to do this by hand)
Inconsistent upper case and lower case usage
Inconsistent Indents.

With all of these issues with the poster it remains an effective piece of attention grabbing design. I really enjoy looking at old professional prints/typography such as this. I wonder, the difficulties and hardships typesetters of old had with setting up and producing a document like this where the errors I pointed out are accepted, did they actually have it tougher than us? We have more options, high standards, millions of colors, paper choices, printing choices, software, hardware, stupid clients and greater competition? Hm...

Tuesday, December 18, 2007

Customize Your Work Prison


If I had to be stuck in a cube all day at work I would have to hook it up like one of these. The sci-fi one may be the coolest of ones posted here but I would like to set up a mad scientist lab or something. It kinda makes me want to give up my panaramic view of the crappy parking lot, almost.

(Courtesy of Wired via Yahoo)

Friday, December 14, 2007

Vintage Poison

I like whiskey.

About 8 years ago I was out hanging with some buddies. It was more like hardcore binge drinking but, whatever. I was out, fresh after a tough break-up with a bitch girlfriend and we were doing some drinking. As with most times back then the boozing drifted into the wee hours of the night, consciousness was difficult, rational thinking was extinct and simple, animalistic actions were the rule. What I surmise as near 4 A.M. I got into a fight with my buddy (he happens to be about 6'4" 250 lb. monster) and decided my friends were all assholes and I was going home. So, I went home.

At this time I was living with mom and dad still. Somehow I made it home alive and not in cuffs. When I crept into the house, I walked to the kitchen to have myself a drink. Not sure if it was to be water or booze but again, whatever. Upon stumbling into the kitchen I noticed some really old looking bottles on the counter. I picked one up, peered at it through blood shot eyes and my jaw flopped open. The label read "Pre-war whiskey, not to be sold." The PA LCB sticker on the lid said something about prohibition and not for sale. My god, I thought, forbidden whiskey that is like 85 years old.

Odd stuff always made it's way up from my parents basement. The house was old and the guy who lived there before us was rich and had a bunch of bullshit down there. So I had my hands on some vintage, old american whiskey. Upon closer inspection I noticed there were only a few ounces in the bottle. My only chance to enjoy some vintage good stuff? Mine, mine, mine. I drank them. Big mistake. Greed tempted me to selfishly enjoy the last of the old stuff. I never thought to smell the liquid. I should have. My desire to keep all of the booty to myself overwhelmed my good sense. I wish it didn't. The booze was gone and, sadly, it wasn't booze. Poison. The first thought that screamed through my blurry mind was "my god I've killed myself." I drank something that I could not identify. It was some sort of evil chemical used for removing things or something. Survival instincts. I went and guzzled milk, I know that helps. The taste was noxious and consuming. The smell unmistakable. What to do now? Complete exhaustion and retarded drunkenness were boiling over, I needed to sleep. As with most thing back then I said, fuck it. If I die it will be in my sleep but I got to get to sleep. The birds where chirping. Up the steps, into bed, poisonous fumes wafting from my throat, the smell unmistakable, I hoped I wouldn't die.

Needless to say, I lived. The night forever tattooed into my memory, my senses won't let me forget. Since then I've told this story many, many times. During the first 50 or so times I could still taste and smell the chemical, the smell was unmistakable. I keep the bottle as both a cool antique and a piece of history, my history. The history of the night I drank vintage poison.

Thursday, December 13, 2007

Warning Label


I love warning labels with the small illustration of some poor stick figure getting mangled, killed, smashed, eaten, etc. The Michigan Lawsuit Abuse Watch picks one out of the thousands, each year, and designates it the Wackiest. I get a kick out of these things.

This year's is great, titled "DANGER, AVOID DEATH." Fantastic.

(origin: yahoo new 12/13/07)

Monday, December 10, 2007

Know what a duotone is? You better act like you know!


Duotones, soiund it out with me dooo-oh-ton-zzz. Think of Batman and Robin AKA the Dynamic Duo or duet and duotone is a color setting in Ps that keeps an image 2 colors. Duotones are cool and can have a great effect oon something you are designing. First you need to convert your image to greyscale, next under the same option as you find greyscale (image>mode) you find the option for duotone. I made this coolr 2 page flyer for a trip to Europe, I think it has more character and class than just doing a standard full color brochure. Keep in mind that a duotone will only work in PS and Indesign, the color settings do not cross over into Illustrator, so convert it to a CMYK file.

Here is a good tutorial to get your feet wet.

Friday, December 7, 2007

Sow and Tell

For show and tell this week I brought in a card I made for my parents, I think the carbon dating on it looks to be near 1985. I thought Jabba the Hutt on a thank you for dinner and cake at thanksgiving was appropriate. Nothing has changed.

Also, I brought in an original Rubik's Cube in its original packaging. I have one that is open and playable however I also have this one still in the package, not sure if it is worth anything, don't care either (unless it is some insane amount), I just like having it around. It is all apart of my "I like cool stuff" mentality.

(I'll post picks once I have access to a scanner, I've been sick)

Wednesday, December 5, 2007

Don't catch the office germs.

2 weeks ago I had a meeting with one of our product managers. She came to my office clutching damp, sickly tissues with her nose running, voice scratchy and gruff, eye watering. A few days later I was lucky enough to develop the same symptoms plus some added bonus afflictions. While this post doesn't really apply to graphic design in general, but since most of us work in an office and deal with any number of different clients, coworkers, civilians we all risk one of these people tossing us some awesome bacteria that cause a sweet 3 weeks of miserable sickness. All the green tea in the world won't make the difference you want unless you educate yourself and keep you shit clean.

Quark v Indesign

The battle rages on. A few years ago most designers would easily tell you that Quark is dying the good death and InDesign is the new standard. Knowing both applications I certainly prefer InDesign, hands down, over Quark. I like the Bridge option between all Adobe applications, the consistent tools and feel between the other Adobe's and I find Quark prone to font problems and crashing. Here is a comparison done by some IT nerds, it compares the two products based on time it takes to design the same project, while this comparison shows Quark to beat out InDesign, it leaves out the sweet streamline interaction InDesign has with it's Adobe brothers and sister.

Thursday, November 29, 2007

Old Ads?


These ads seem to be imported from the UK. Not sure if they actually ran, or if they are even real but once upon a time (not long ago) stuff like this was feasible. How times have changed and with that, advertising. Check them out.

Wednesday, November 21, 2007

Resume Advice?

Anyone mind taking a look and giving me some crit on my resume? Time to look again. (click on the document to make it larger)

Slang is Gnarly


For show and tell last week I gripped the McGraw-Hill Book of American Slang and Colloquialisms. Dis treasure chest of classic, modern American off the cuff expressions, unusual definitions of common words and great old fashioned "Merica" style cursing. If you don't have a book like this in you library, go gank one, not only will it help your informal writing but it is a bangin book to chill with.

Tuesday, November 20, 2007

Worst Typefaces Ever?

My Top10 Worst Typefaces:

10. Dom Bold
9. Hobo
8. Cottonwood
7. Cooper Black
6. Papyrus
5. Lucinda Handwriting
4. Brush
3. Times New Roman
2. Arial
1. Comic Sans

The top 10 is based solely on type that I never want to use, see used or read.

Thursday, November 15, 2007

Font Problem Font Solution


OK, some of you may know about my latest battles with my huge font library on both my G5 at work and my Pro Book at home. I enjoy having massive amounts of fonts and dingbats but that can lead to trouble. I have Extensis Suitcase on both machines but that software is for the birds, it just sucks. I have experienced everything from un-viewable/un-decipherable web pages and content because the fonts were so screwed up, fonts turning themselves on and off, fonts disappearing, my font cache getting clogged up like the subway during rush-hour, fonts setting fires, fonts playing hookie from school, smoking cigarretes in the boys room and even fonts going on homicidal rampages.

I've had enough.

Well, look out misbehaving fonts. I think I may have found a great solution to all of your bad behavior–for FREE. It is called FontExplorer X and can be downloaded from the Linotype website. We all know who Linotype is right? They invented the machine that eliminated typesetting by hand. (The founder Ottmar Mergenthaler lived in Baltimore). Anyway, my point is they can be trusted to whip your belligerent and mischievous fonts into order. It is easy to install, it is easy to turn off any other font manager during the install, it is very easy to add new typefaces to your list, very easy to activate or deactivate fonts, works seamlessly with Adobe and Quark, it is good looking and there is a version for both Mac and PC and so far they have worked amazingly. No font problems at all, now they are all the sweetest little angels, thanks FEX!

Monday, November 12, 2007

command - option - shift + K


Speaking of keyboard shortcuts, open a Quark document, select any object and use the shortcut in the title. Possibly the coolest thing about Quark, even more possibly the only cool thing about Quark. Be sure that you have the file saved first and have the sound up.

The Boston Turkey Story (What inspired our cutout project)


Wild Turkeys Take Boston, Surrounding Suburbs a Month Before Thanksgiving

(Found on foxnews.com)

Wild turkeys are running amok in the Boston area, startling, amusing and even chasing residents who have had close encounters with them on the street.

Previously alien to these parts, after having been wiped out long ago, the gobbling fowl are suddenly back and bigger than ever, descending with gusto upon suburbia, according to The Boston Globe.

The brazen little creatures have been so rampant that local police now get up to a dozen calls about them a day.

One woman jumped — and gasped — when she came face-to-face with a turkey right after she parked her car at a meter in Brookline, the Globe reported. But the showdown didn't stop there. The turkey ran after the woman after they locked eyes, gobbling and pecking at her bottom during the chase.

Click here to read the entire story in The Boston Globe.

Interesting Advice from Istockphoto.com


Gradients + Outlines + Highlights... Oh, My (Spotblind)


(Excerpt from an article on Istockphoto about Vector Dos and Don'ts.)

It’s easy to get carried away in the style department. You can add strokes, textures, gradients, patterns, you name it: why limit yourself to just one effect?! Well, it all comes down to consistency. Consistency is critical and the more you clutter your image with unnecessary elements, the more distracting and confused the final results will be. This is a key consideration to remember when illustrating for stock: The designer already has a message they need to convey… Your illustration will be used to support this message. Distracting and competing effects within a file can seriously detract from the usability of your illustration.

When planning your image you should start from the ground up and decide what the final look you want is: Light and delicate? Bold and strong? Shiny or matte? Comical, cute, whimsical, dramatic, serious? Once you’ve nailed the look and feel you’d like to aim for, every element you add should support the look. That’s not to say you can’t change your mind once you’ve started with a particular style. As long as you know what you’d like to convey to the viewer, chances are the end result will have a clear message and consistent look and feel.

Flowers have always been a popular subject to upload. Example 1 is pretty decent... But it could be a heck of a lot better, and with the amount of flower submissions this’d need some polish to get approved. The spirals are ragged and rushed, which doesn’t fit in with the soft gradients on the petals. The highlights are very sharp (perhaps this is a plastic flower?), and for some reason only 2 of the leaves have veins… Not very pretty veins at that, especially where they’ve cut right over the stem of the flower (on the lower right). The finished image is confused, cluttered, and not likely to attract any bees.

Example 2, on the other hand, is the kind of blossom you’d want to give that special someone. The distracting strokes from the first flower have been replaced with strong shapes that are subtly tinted to give a hint of depth and volume. The harsh gradients have been toned down and the highlights softened. We’ve removed the mismatched leaves and replaced them with 2 strong, simple leaves that are drawn in the same style. On the blossom itself some extra highlight/shadow shapes have been added to each petal, then carefully colored to look 3-dimensional… You can almost smell it.

Wednesday, October 31, 2007

Adobe Bridge & Version Cue

I have known about these guys for a while now, but I just started messing with them this week. I can honestly say "where have you been all my life?" These helpers help manage your files/images/logos/copy/etc. You will not need to have a million instances of anything on your hard drive because Bridge and Cue keep track of them. You can save hard drive space, keep track of projects and stuff. You can drag and drop the stuff in Bridge right into your project, no more messing around and save tons of time.If you haven't learned these awesome additions in the CS2+ packages try them out, they make life much easier.

Old Designer & Software Blues (vent)

My current supervisor has been designing for 1 million years. I think he helped invent typesetting. Anyway, he uses Quark 6.5 and Adobe Illustrator & Photoshop CS. No quite cutting edge. We both signed up for a seminar on InDesign CS3, I use InDesign CS2 all the time and I feel I am more than just an intermediate user, I also have been using Adobe CS2 for a couple years. My supe (AKA design director) doesn't know InDesign at all. So we are 2 days before the seminar and he says he can't go, he has to be at the office. This was his chance to get some insight into InDesign, learn what it is all about and see how much better it is than haggard old quirky Quark. I personally think he is afraid to learn it, he is content knowing what he knows and that's that. I also found out he wasn't needed to be at the office for anything other than normal work, he was B.S.ing. He sees his own retirement in 2 years and couldn't care less about being cutting edge. This is the same supe who refuses to let me do a photo shoot (even though I have done them many times before), keeps all of the new design work for himself and gives me the crap that he either can't do or doesn't want to and prefers to work as individuals and not a team. He offers the clients 1 design and says that is the final, they seldom like it and find his stuff "dated." So, I am stuck working on CS for most things, stuck working in Quark for updating or making revisions to his crap and stuck begging for them to update to CS3 and stuck doing entry level work even though I am way above that. It is so frustrating. It is especially tough when all the product managers come to me and ask how they can get me to design their work, they do not like what they are getting compared to what I can do. It feels good to hear that but it sucks because I can't do anything about it. I want to do real work on up-to-date software, it is that simple.

Friday, October 26, 2007

Keyboard Short Cuts - The KEYS to Success

Yeah, I know that title is super lame but sometimes lame works. What isn't lame are keyboard short cuts. Are you familiar with most of the important shortcuts at your figure tips? These quick key strokes can become second nature and speed up your design time exponentially, that way you can get done you W&I homework much quicker and get back to drinking beer 4 nights a week. Seriously, practice learning these quick cuts, they do save time and they will make your designing more enjoyable. I try to learn new ones all the time, you'll be amazed, not to mention you look a helluva lot cooler slapping out those short cuts than lumbering around with the stupid mouse.

Here are some links for some shortcuts (for the MAC of course)- get to know them.

MAC
InDesign CS2
Illustrator CS2
PhotoShop CS2

Tuesday, October 23, 2007

2600 Days

2600 plus days I have been a professional designer. I went to school for animation, got a degree, went back for multimedia, got a degree and during the ride I got a job. My first job was for a dotcom. Life was good, my paycheck was fat, my hours were amazing, no dress code, ultra laid-back environment and most importantly I was young, I was trusted and my work was very fun. I was designing web graphics, pages and flash animation for an online sports registration community. Within a few months the roof fell in on the dotcom world and everyone either quit or was fired. I made a deal with the owner that I would stay onboard (they were trying to salvage the business) if they paid my final semester's tuition. The deal was made, I signed a contract to not leave until at least my classes were over and they paid my schooling. Life was not as sweet but things were still good.

14 days before I completed my BA I got laid off. I didn’t see that coming but I should have, I spent most of my 15-20 hour work weeks drinking coffee and downloading porn. The company hit rock bottom, only 1 employee remained and he was an asshole. No big deal, I thought, I had no fear, I finished my multimedia program at the top of my class, I had real world experience and I was hungry to work, look out world.

364 day passed since my last job with the dotcom, I just finished shaking hands with my new boss, accepting a job for $12,000.00 USD less than what I was paid a year ago. I had to dress business casual, my manager was a douche bag who knew nothing about anything and I somehow became a print designer (multimedia job were nowhere to be found). I knew nothing about designing for print.

912 days float by, I am now the art director, my douche bag manager was now just a douche bag co-worker and I successfully made the transition to print designer. Life was OK, however, I still was making less than at the dotcom and I had to deal with a ton of inter-office bullshit and shithead co-workers. Upon my last review ever at this company I decided to seriously look for the new job; they approved handing me more responsibility but no title change or any more money, sounds like the perfect deal right? Eff them.

240 days after the review and several mostly deadend interviews I have a new job. The graphic designer positions in Philly were impossible to land or very undesirable. For example, 5 years experience- 32-35k, no thanks, part-time to full-time 3 years experience 29k, go fuck yourself. So, I did the unthinkable, I ventured to South Jersey for a job, not fun. I am now on an in-house design team, working as a flash animator and web designer. I am excited, back to my roots finally. They had an art director, photographer, the creative director, magazine designer, man they had it all.

4 days pass and I get fired. Awesome. It appears they are very sorry because they misrepresented the job, the really wanted a programmer. WTF?

90 days crawl by in the freelance world. I decide I need to make more money and stay busier. I apply for a job at the Apple Store in Christiana, DE. I get the job, start work and officially I am depressed.

2.5 days into my 40 hours of the most boring training in the world at Apple, I get a call from a company I recently interviewed with. They offered me the job and I quite Apple on the spot. That job was bad.

3 days later I find myself shaking hands with the owner of the company, I just accepted the position. 7 days earlier she had told me my work was weak, I went home afterward, more depressed and opened a bottle of scotch. I am now working for a small marketing/ advertising firm in Newark, DE. The job is for about $5,000.00 to $7,000.00 USD less than my last 2 jobs but it looks like good experience and I need a job. Upon starting I get the huge vote of confidence with the owner telling me it will be a freelance gig for 45 days and they might offer me the full-time gig if I work out. To get the job in the first place I had to interview 2 separate times, show my portfolio and do a skills test, but I guess that wasn't enough. When I said the pay was low and asked for more the owner called me directly and told me that there are extra benefits for working there, such as free parking and a lower cost of living; again, WTF? Free parking in an industrial park in the middle of nowhere, perfect. Lower cost of living? How about no it isn’t? How did I ever get so lucky to have perks like these?

5 days into the new job I already know it sucks. The work isn’t bad but the office life is sad. My desk faces a corner; I work on an old PC that is not connected to any network because there is no network. The software works fine, the IT guy, AKA the finance guy, AKA the owner’s husband, AKA the real old guy (who smells like a real old guy) makes us shut down our computers, printers and lights every night because he thinks they are going to spontaneously combust and burn the building down. Again, my work is fun and I am learning a good deal, not to mention working with fairly high-profile clients but it still sucks.

20 days into this new job I get a callback from a company I interviewed with several months before. They wanted me to come in again. I must admit I was very excited, depression lifting. This job looked promising. I know the money was right, the place looked professional and I would be working with a guy who has been a designer for decades (a learning resource). I went in for a second round of interviews. I made up some of the greatest lies of all time to get out of work at the agency to trek the 43 miles south. Three more visits and I was offered the job.

40 Days after starting with the agency I went into the creative directors office to talk about me. I asked him if they were going to offer me the job and if so, more money? He said he was almost positive I would get the job but no more money, I let him know I was offered another job for $10,000.00 USD more than their offer and I was going to take it. He tried to convince me to stay with some weak line about how he felt they were one of the top agencies in the area, blah, blah, blah, if that were the case than pay like the top agency.

4 days into the year 2007 I am starting the new job. I have moved twice in a year, worked in 4 states, resigned twice, was fired once and almost quite the biz several times. Now I am starting the next chapter: new town, new job, new friends, new everything.

288 days into 2007, I now live 100 miles from home, I live in a cool area, I make decent money, I have a dog, I’m in school again and I am happy. My job sucks. I thought I wanted to work in a very professional/corporate environment, somewhere I am respected and trusted and a place I would be challenged and successful. Yes, I want to be challenged and I desire success and professionalism but the corporate, stuffy, tons of red tape bullcrap is not for me, not to mention designing packaging, labels and other collateral for drugs is bor-ing. The design resource guy? A recluse who is just riding it out until retirement. I want a job where creativity, imagination, hard work and fun are the standards. Do these jobs exist? I have heard nothing but pessimistic talk about design jobs in the Mid-Atlantic. Cool design boutiques that we all want to work for invite you in, exploit your skills and creativity, overwork you, under pay and spit you out like a piece of knarled gristle. Will all my hard work be worth it? Are there places to be creative, have fun and be successful in this area? Will my sweet memory of the dotcom days damn my expectations forever?

365 days from now, will it be all good? Will I be thinking about traveling 100 more miles from home, taking the job I think would be good experience or I think will be a good fit or will I find these strides I have taken over the years were all for not.

Today, can someone please give me hope.